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He asks the version of Bilquis (Yetide Badaki) he’s projecting in his own mind for help, and eventually realises he needs to get his hands on the ever-mysterious ‘Artefact 1’, which has to be the laziest name for a MacGuffin I’ve ever heard. Over at Ms World’s (Dominique Jackson) HQ, meanwhile, Technical Boy (Bruce Langley) is trapped in a face-grabbing prison. Either that, or Shadow’s just on his way straight to Margaritaville.
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He’s free to go, but instead of heading back to Lakeside he sees a sign that redirects him towards Jacksonville, and the search for Marguerite’s son, who disappeared in Florida and never returned. Dr Tyrell’s death will no doubt be a loss to the field of children’s orthodontics, but perhaps more importantly for Shadow, by saving his father’s life he has repaid his debt to the obstinate old deity.
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Tyr has the upper hand, Shadow intervenes to save his old man, and Wednesday stabs his mate in the back while he’s distracted. The pair decide to settle things “the old way”: a furious battle decked out in flamboyant armour. Things between Tyrell and Wednesday are bad, like Morrissey and Marr bad, and apparently it all goes back to the time Tyrell sacrificed his arm to the mighty wolf Fenrir. Dr Tyrell (Denis O’Hare) has taken him hostage at Wolf’s Den, but really he’s just bait designed to lure in Wednesday (Ian McShane). Shadow Moon (Ricky Whittle), meanwhile, is having a painful experience with a dentist. Wednesday (Ian McShane) and Shadow (Ricky Whittle). Mark my words, she’ll be after his lucky charms next. He doesn’t want to, at first, but somehow sweet-natured Liam winds up doing exactly what Laura wants him to do. Salim only came to this inn in the first place because Laura wanted to ask the leprechaun behind the bar, Liam Doyle (Iwan Rheon), if he could go and get Odin’s spear Gungnir back from Mad Sweeney’s hoard for her. The orgy scenes are a delight – it’s always a pleasure to see an ass being eaten on a mainstream television show, however briefly – but alas we must press on with the plot.
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At the Grand Peacock Inn, with Toni’s guidance, he finally learns to embrace himself – and the hot bellhop too. Salim has been struggling for much of this season to get over his relationship with the djinn, but also to come to terms with who he is.
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Ricketts), or as Laura aptly christens him: “the hot bellhop”. One Adonis in particular catches Salim’s eye: Kai (Noah J. It just so happens they’ve arrived on the opening night of The Seelie Court of America’s annual jamboree, an anything-goes party attended by lots of beautiful, barely-dressed men wearing butterfly wings. Laura Moon (Emily Browning) and Salim (Omid Abtahi) are there because she’s heard there’s a Leprechaun working behind the bar. It seems Tu’er Shen also grants Toni eternal youth, because they look equally fabulous after we’ve fast-forwarded to the present day Grand Peacock Inn. Iwan Rheon and Emily Browning in ‘American Gods’ season three episode eight. He rewards Toni by blessing the Inn as a temple to free love – and he even throws in a brand new neon sign for the place. Tianbo, it later emerges, is actually Tu’er Shen, the Chinese rabbit god of homosexual love. Luckily, by the time the slow-footed bigots actually arrive he’s been safely sequestered away by Toni (Dana Aliya Levinson), the trans woman owner. The setting is a pleasant, rustic little motel called the Grand Peacock Inn – which we’re introduced to in 1951 when a young man named Tianbo (Daniel Jun) is chased through the front doors, pursued by some unpleasant homophobic cops. Season three of American Gods may be drifting towards assassination or war, but first it’s going to give us a party. As any Viking will tell you, it’s important to get mashed before a big fight.